Impact of Digital History 2.0

I previously made a post about today’s readings for the COPLAC portion of this class, which can be found here.

However, I did also skim Sherman Dorn’s article, as Dr. McClurken suggested, and I am quite fascinated with what he has to say, and I think Dorn makes some intriguing points about digital history. I really like how he frames digital history as yet another historiographical development that contributes to the development of the field–an astute observation, and one that I had not considered. Digital history has definitely added a new dimension to the field, especially because the question still remains about reliability, source citations, etc. I also like how he points out the breadth and depth of various digital history projects, especially the extent to which they make an argument. This point rings particularly relevant to me because it is something that I have encountered in the COPLAC portion of this class. Some of my virtual classmates are going for creating an online archive, while others like Julia, Candice, Jack, and I are creating an exhibit. It’s interesting to see how each of us interpreted the Century America project and what we have done with it. And even then, the “exhibits” that we are creating are more along the lines of narrative history, rather than history that makes an explicit academic argument like you might find in a monograph.

Commodification of Information

Out of all of the articles for class, two really resonated with me.1 The first was “Is Google Making Us Stupid?” by Nicholas Carr. I found it extremely ironic but wildly appropriate that as I was reading, the page was loaded with ads and links to other pages–the same kinds of distractions that he talks about. It was interesting to read about how the Internet is actually changing the way we think because I never thought it would have that much of an impact. I had no idea how malleable our minds could be. That being said, I think part of the problem here goes beyond the fact that it’s changing the way people read and process information: it seems that no one is making an effort to counteract that, for which I think the blame should partially be laid on people–not the Internet. I have always loved reading and been an avid reader. I do spend a lot of time on the Internet now, but I make a concerted effort in my free time (AKA the summer) to read a lot of books, do crossword puzzles, and spend less time on the Internet. If you aren’t doing anything to try and maintain your ability to read normal novels, then of course you are going to lose that ability. (I do realize that people–myself included–are not aware of the profound effect that the Internet has on their way of processing information. This issue is not simply solved; nevertheless, I still maintain that we are part of the problem. The Internet is too.)

Like Carr, I am extremely unsettled by Google’s assertion that we might be greatly improved by artificial intelligence, or if our brains were completely replaced by artificial intelligence. The thought alone is scary. Intelligence is simply not that simple–you can’t replace it in one fell swoop. There are several different kinds of intelligence (8, according to Howard Gardner’s multiple intelligences theory) and I truly believe that no artificial intelligence could completely embody any one of them, let alone multiple ones or a combination of some. It could perhaps come close with the logical-mathematical intelligence, but otherwise, no. Our minds are complex and each one is unique–there is absolutely no way that supplementing or replacing our brains with artificial intelligence could improve the way we think (unless the goal here is to process information like a machine–personally, I would rather not do that). AI would have to be extremely versatile and malleable to be able to adapt to each different person’s mind because, as Carr points out, our minds themselves are malleable, forever changing. I have very strong feelings on this topic, but I will leave my ranting to a minimum and simply end by saying No.

I am also not very comfortable with Google’s view of information as a commodity–I think it takes away much of the value of the information and the work that goes in to creating it. I’m having a difficult time articulating my feelings on this topic, but I will do my best. I suppose I feel so strongly about this because I really value learning, especially the process of learning. I don’t care much for some of the end results of learning (AKA tests), but others I thoroughly enjoy, like books. To think that information is a commodity somehow cheapens it, and it completely eliminates the wonderful learning process, and you miss the rich surrounding context. As a commodity, I suppose information still has value, but it’s a different value. It has a value for people/organizations like Google, because it gives them meaning. But it loses intangible values. (At the same time, I do wonder if one day, when information has become so much of a commodity, that somehow the tidbits of information that are not commodified will be extremely valuable–priceless–much the same way the commodification course has gone with nature.)

All of the above being said, I find some aspects of data mining interesting. The “Mining the Dispatch” site was fascinating, especially for the trends it shows. What makes these results valuable, though, is understanding the context in which they exist, as Dan Cohen alludes to in his piece about Google N-Grams (which, incidentally, I also think are very cool–if you have the context). I think these tools are wonderful ways to discover and visualize trends throughout history and aid us in understanding and representing history to the fullest extent possible, but they should not replace the physical research we do with books and archives, and they definitely should not be pursued or employed without proper context.2

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1. I would like to note that I read all of the articles for class, but am choosing to blog about the ones about which I feel most strongly.

2. Random thoughts about the other readings: I like how sassy–for lack of a better word–Dan Cohen is in his piece about N-Grams. And as per Turkel’s piece, I can’t believe people actually want to know the history of all those topics–shaving legs? Really?

Impact of Digital History

The first article I read about the impact of digital history on the field of history was by none other than our very own Dr. McClurken. The first thing that struck me from this article was how much digital history, and digitization in general, has changed classroom teaching. Without the perspective of more than 21 years, all I have ever known in conducting serious archival research is having many materials available online, searchable catalogues, and occasionally photocopies or reproductions. I kid you not, my mouth dropped to the floor when I read that he used transparencies to show students nineteenth-century handwriting. Transparencies!!! That just boggles my mind, and I think really highlights how much digital history has changed the classroom. I also didn’t realize how much a dependency on digital history and its materials can cripple a class, if user interfaces, urls, or accessibility change. I definitely have to agree with Dr. McClurken that the relationship between the college classroom, and I would even say academia in general, and archives is mostly Web 1.0. From what I have seen with the digitization projects I’ve worked on, right now it’s all about actually just getting everything digitized and putting it up online, making it accessible. Oftentimes, little to no thought is given to how the accessibility of these great collections will be promoted. However, I would say that some institutions are definitely taking the dive into the ocean of social media and handling it pretty well! I am most familiar with the Smithsonian Institution Archives, and I know that SIA has a pretty active Facebook page, which can be found here. SIA makes at least one post a day, that highlights an item or items in its collections, and they usually try to make it relevant to current events. SIA’s blog, The Bigger Picture, also updates at least once a day with relevant content–right now SIA is posting a lot of content about collections related to women in science, in honor of Women’s History Month. Beyond Facebook, though, SIA isn’t really present on other social media platforms, and I hope that this fact will soon change. As much as some people look down on social media, there is no denying that Facebook, Twitter, etc. reach an incredible number of people, and institutions could reach a much wider audience if they embraced social media more. (I do realize that the issue is not that simple–there are many other things to consider when getting involved in social media, like Who tweets? Do they have to be approved by someone? Do you follow back people? Are you endorsing the people who follow you? Etc.) Part of Dr. McClurken’s point, though, is that this relationship is between the classroom/academia and the archives, and as we all (hopefully) know, a healthy relationship is a two-way street. So it can’t just be the archives who are embracing the social media and putting themselves out there. The classroom and academia must also embrace these social media platforms, which I think is part of the problem, particularly for the older, more “traditional” members of this field. Some historians cannot see past the social “mob” aspect of social media and cannot grant the platforms value. My own advisor seemed incredulous to discover that students use Twitter for classes. For a young person like myself, social media makes sense as a vehicle for establishing a relationship between archives and classrooms, but for someone who didn’t grow up with social media, I can understand how it can be overlooked.

Dr. McClurken also mentioned crowdsourcing, which I won’t go into detail explaining–rather, I will link to a current example of a digital history crowdsourcing project: the Smithsonian Transcription Center. Many of the SI museums/archives have contributed digitized materials to this project for the general public to transcribe. You can browse by theme or museum. (Dr. McClurken, there is a Civil War diary in there if you haven’t seen it yet! I haven’t looked at it, but I know it is a popular project.)

The second article I read was from the crowsourcing chapter in Writing History in the Digital Age (2011), and it is about digital history and black Confederate soldiers. I really like the article’s emphasis on using digital history to help democratize the discipline, without sacrificing accuracy. For many people history is an almost esoteric discipline–they can’t grasp its functions and advantages, how it works, what is “true,” etc. (For the record, I believe there is no such thing as historical truth.) I think using the internet for displaying historical materials and research is a great step towards involving more people in history and expanding historical knowledge. And, like all good historians, Madsen-Brooks emphasizes that we still have to be critical of the information we find online. She delves into a discussion about “historians” and who historians are, which I think is an interesting consideration but somewhat of a moot point. Just because you aren’t a certified, PhD in history doesn’t mean you can’t make a valuable contribution of knowledge to the field. History isn’t limited to one discipline–it is interdisciplinary and multidisciplinary at its best. Anyways, Madsen-Brooks’ cautionary tale against content on the internet is great, because it truly is something that we have to take into careful consideration–and the same goes for print sources as well. I think her analogy at the end of the article is a nice description of where the digital history field should go/is going: historians are the “guide[s] on the side,” helping to guide others engaging in history, teaching them how to think critically about their sources and analyze their information.1 Nevertheless, I see no problem with historians also taking center stage and making their own significant contributions, which can help guide and further inspire those engaging in history. The lesson for me from this article was that “the masses” are slowly infiltrating the field of history–which I don’t think is a bad thing–and that now more than ever, we need to be critical of our sources and information. The crowd can make valuable contributions to history. Maybe they can do simple things like transcribing, or maybe they can do analysis, who knows. Even if the analysis is inaccurate, we can still learn valuable lessons from them. For example, the Confederate records that Madsen-Brooks discusses highlight the difficulty of interpreting some primary sources and the different definitions of “soldier” that people hold today and held during the Civil War. Inaccuracies may bring to light new angles of a topic to consider. I’m not trying to say we should all go out and write wildly inaccurate pieces about history with reckless abandon–I am simply stating that there is a silver lining to this dark cloud of inaccuracies in democratized history that seems to be looming over some historians’ heads.

Also, here is a paragraph about the value of crowdsource projects like Wikipedia from my other digital history blog: “I also have another comment to add to our conversation about Wiki and its validity/usefulness.  Because Wiki is such a high-traffic site, the Smithsonian museums are making an effort to contribute to Wikipedia, by editing pages related to Smithsonian museums and collections, or creating the pages, adding links that will direct visitors to the appropriate SI site, thus increasing traffic to their own websites.  I attended an SI meeting that talked extensively about this process, and I found it fascinating!  It really is a great way to increase site traffic, because Wikipedia is such a popular site, and it’s also just a great way to get the word out about things and contribute to public knowledge.  It’s also really cool, because I think it shows how the perception of Wikipedia has evolved over time, and people are slowly beginning to realize that maybe it isn’t so bad after all.  It can be a source of valuable information, if the “right” people are creating and editing the pages.  A leading research and museum institution, the Smithsonian, hires what they call Wikipedians-in-Residence to create and improve SI-related content!  The Wikipedians-in-Residence and their associated SI units also occasionally host edit-a-thons, where they marathon-edit pages on a given subject to improve content and link to SI sites/collections.  Really cool concept!  You can read more about one specific WIR here!”

Disclaimer: The featured image from this blog post is from Virginia Tech’s Digital History Reader, which can be found here

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1. Leslie Madsen-Brooks, “‘I nevertheless am a historian’: Digital Historical Practice and Malpractice around Black Confederate Soldiers” in Writing History in the Digital Age: A Born-Digital, Open Review Volume, edited by Jack Dougherty and Kristen Nawrotzki, http://writinghistory.trincoll.edu/crowdsourcing/madsen-brooks-2012-spring/ (accessed March 5, 2014).

Maps and Timelines

After a bit of a struggle, I successfully created my first Google Map!  The tutorial page was extremely helpful, and the bit that Ryan told us about south and west coordinates definitely saved me a lot of frustration. My struggles didn’t originate from using the spreadsheet and filling out each pertinent cell–they actually came from the apparent speed at which I was editing the sheet. I personally don’t think I was moving too quickly, but apparently the spreadsheet did. I kept receiving error messages about the script, and I had no idea what it was talking about until I read Jessica’s post and saw that she had encountered the same problem. I ended up removing almost all of the rows that I wasn’t using (the spreadsheet gives you 1,000 to begin with…why someone would need that many, I do not know). That way there was less for myself and for the spreadsheet to deal with. I tried entering information less rapidly and giving the sheet more time to update. Finally, when the KML was ready, I again encountered a problem. Even though the KML was ready, the first tab (“start here”) would not give me a link to go view my map. I got pretty frustrated, and ended up just closing the tabs and my laptop and taking a shower. When I came back and opened up my Google Drive, the spreadsheet was ready for me, this time with a link. Finally, my map was done!

Lessons learned: Do not rapidly edit the spreadsheet. (And if you do, give the sheet a few minutes to update itself and catch up with you). Once the KML is ready and you’ve published the sheet, be patient. It may not give you the link to view the map. Try waiting a few minutes, and if it still won’t reveal its secrets, then just close the tabs and come back a little while later.

I just finished my timeline, which I had immense amounts of fun making. The timeline was so much simpler to create than a Google map, and I think it would be a great resource for our project. We have already discussed using it in a number of different ways, such as for general WWI events or for specific events in Fredericksburg or at UMW. It will be a great way to aid our viewers in keeping track of everything! Enjoy my love story of Brick Tamland and Lamp (from Anchorman).

Maps and Timelines

After a bit of a struggle, I successfully created my first Google Map!  The tutorial page was extremely helpful, and the bit that Ryan told us about south and west coordinates definitely saved me a lot of frustration. My struggles didn’t originate from using the spreadsheet and filling out each pertinent cell–they actually came from the apparent speed at which I was editing the sheet. I personally don’t think I was moving too quickly, but apparently the spreadsheet did. I kept receiving error messages about the script, and I had no idea what it was talking about until I read Jessica’s post and saw that she had encountered the same problem. I ended up removing almost all of the rows that I wasn’t using (the spreadsheet gives you 1,000 to begin with…why someone would need that many, I do not know). That way there was less for myself and for the spreadsheet to deal with. I tried entering information less rapidly and giving the sheet more time to update. Finally, when the KML was ready, I again encountered a problem. Even though the KML was ready, the first tab (“start here”) would not give me a link to go view my map. I got pretty frustrated, and ended up just closing the tabs and my laptop and taking a shower. When I came back and opened up my Google Drive, the spreadsheet was ready for me, this time with a link. Finally, my map was done!

Lessons learned: Do not rapidly edit the spreadsheet. (And if you do, give the sheet a few minutes to update itself and catch up with you). Once the KML is ready and you’ve published the sheet, be patient. It may not give you the link to view the map. Try waiting a few minutes, and if it still won’t reveal its secrets, then just close the tabs and come back a little while later.

I just finished my timeline, which I had immense amounts of fun making. The timeline was so much simpler to create than a Google map, and I think it would be a great resource for our project. We have already discussed using it in a number of different ways, such as for general WWI events or for specific events in Fredericksburg or at UMW. It will be a great way to aid our viewers in keeping track of everything! Enjoy my love story of Brick Tamland and Lamp (from Anchorman).

Also, I am in the process of subscribing to all of my classmates’ blogs on feedly.

Digital Tools and Sites

Zotero: WOW! I was extremely impressed with how easily Zotero captured information about sources and translated it into comprehensible resources, like citations and a virtual library. I could definitely see myself using Zotero to create a library of virtual library of my own–keeping track of all of the books that I own, having notes about them, keep track of where they actually are,  etc. I have so many books that I can’t even remember where I keep them all and which ones I actually own, so creating a virtual library with Zotero could be a great use for it.

Omeka: Piggy-backing off of my virtual library idea for Zotero, I think Omeka would be a great tool for making a virtual library accessible on the internet, if (for whatever reason) you wanted people to be able to view the contents of your personal library. Omeka would also be useful in creating online exhibitions for museums (or digital history class projects!). Its versatility and customization options provide great opportunities for creating unique, interactive exhibitions (or websites in general).

WordPress: I have enjoyed using WP so far, and it is definitely a great tool for keeping a personal/class blog. I could see it being useful as a sort of image gallery, with little blurbs of information about each image; a virtual scrapbook of sorts. Several WP themes (especially the minimalist ones) like “Polaroids” would be absolutely perfect for creating an online image gallery/scrapbook. WP could also be useful as a discussion forum.

The first DH site I checked out was the French Revolution site, and it was NOT at all what I was expecting. I noticed that the url has the same beginning as the links for our Digital History text (chnm.gmu.edu), and after reading the chapters for today, I was quite shocked at the appearance.  The page immediately overwhelmed me with its garish red background, and the content of the page itself is quite small–on my computer, it exists in the top, left-hand portion of the page, while the rest is the overwhelming red.  Nor is it particularly clear what the casual viewer is supposed to do with this site–there is almost no text on the homepage to guide visitors, and it looks like the links were dropped haphazardly onto the page.  The main font appears out of date and the images look pixellated on the edges.  The pop-up menus under “Explore” and “Browse” are visually disturbing.  However, the search feature is streamlined and straightforward, a definite asset to the site and for its users.  The “Imaging the French Revolution” portion of the site seems more modern and is definitely more informative and aesthetically appealing.  From this site, I can say I definitely want to avoid jarring colors and appearances, and I would like our site to be more informative and intuitive than this one.  (I would also like it to take up adequate space on a page–but I don’t know if it appears this way for anyone else.)

The second site I visited was the Great Molasses Flood site, mainly because I wanted to see what an Omeka site was like.  (And I was curious about what a Molasses flood is.)  I found this site even more difficult than the first one–the newspaper is intriguing, but I wasn’t quite sure what to make of all the randomly highlighted elements of it.  When clicking on an element, a sidebar on the left AND right side of the page popped up, confusing me as to which one I was supposed to be looking at.  On the left sidebar, I think the text needs some differentiation between the categories and information (for example, underline categories like “title” and “description” so that the actual title and description stand out from the categories).  However, I really enjoy the interactivity of the site and how many of the highlighted elements connect to the extra media that the page brings up.  I would love for our WWI site to have some comparable interactive features for users, but I think it would be wise for our navigation to be more intuitive.

The third site I visited was Mapping the Republic of Letters, because I have occupational ties to letters (I transcribe for the Papers of James Monroe), and this site is by far the most impressive of the three.  The color scheme is simple and appealing, and the home page gives a nice introduction to the site/project.  The site also includes other multimedia like videos and images.  The navigation links remain accessible at the top of the page and are appropriate to the contents of each.  (Unfortunately, the “Blog” and “Contact” links do not work.)  My only serious complaint about the site is that on the main “Case Studies” page, the images are all different sizes, so the page is a bit visually jarring.  Each individual case study has wonderful graphics and maps that help viewers to better understand the Republic of Letters.  I hope that our site will be visually appealing and intuitive like this one, with media that enhances our written information.  However, I am a stickler for consistency, so I hope our thumbnail images (or anything similar) will all be the same size.

The last site I visited was Virtual Paul’s Cross Project, and I was extremely impressed. Aesthetically, the site did not set high expectations for the content, but this site is one of the cases in which the saying “Don’t judge a book by its cover” definitely applies. The content in VPCP is so rich–it takes a singular event in history, and turns it into an immersive experience for the visitor. It details the weather, acoustics, general environment, and so many other small details that surrounded the sermon. This site is one that–to use a cliche that I am not particularly fond of–makes history come to life. After exploring the different parts of the site, I also gained insight into why it was not as aesthetically appealing as I would generally expect websites to be. The gray, muted tones of the site reflect part of the sermon’s atmosphere, particularly the weather–it was gloomy, most likely raining, and London in general has a bleak atmosphere. The site’s color scheme add to what it brings to life by helping recreate the atmosphere of the Gunpowder Day sermon. I think an immersive experience like this would be very cool to try and create on our own ADH site, especially given that we are studying the WWI homefront experience at UMW. It would be a great way to give visitors a close look at that experience.

Digital History Sites: Ideas and Discouragements

The first DH site I checked out was the French Revolution site, and it was NOT at all what I was expecting. I noticed that the url has the same beginning as the links for our Digital History text (chnm.gmu.edu), and after reading the chapters for today, I was quite shocked at the appearance.  The page immediately overwhelmed me with its garish red background, and the content of the page itself is quite small–on my computer, it exists in the top, left-hand portion of the page, while the rest is the overwhelming red.  Nor is it particularly clear what the casual viewer is supposed to do with this site–there is almost no text on the homepage to guide visitors, and it looks like the links were dropped haphazardly onto the page.  The main font appears out of date and the images look pixellated on the edges.  The pop-up menus under “Explore” and “Browse” are visually disturbing.  However, the search feature is streamlined and straightforward, a definite asset to the site and for its users.  The “Imaging the French Revolution” portion of the site seems more modern and is definitely more informative and aesthetically appealing.  From this site, I can say I definitely want to avoid jarring colors and appearances, and I would like our site to be more informative and intuitive than this one.  (I would also like it to take up adequate space on a page–but I don’t know if it appears this way for anyone else.)

The second site I visited was the Great Molasses Flood site, mainly because I wanted to see what an Omeka site was like.  (And I was curious about what a Molasses flood is.)  I found this site even more difficult than the first one–the newspaper is intriguing, but I wasn’t quite sure what to make of all the randomly highlighted elements of it.  When clicking on an element, a sidebar on the left AND right side of the page popped up, confusing me as to which one I was supposed to be looking at.  On the left sidebar, I think the text needs some differentiation between the categories and information (for example, underline categories like “title” and “description” so that the actual title and description stand out from the categories).  However, I really enjoy the interactivity of the site and how many of the highlighted elements connect to the extra media that the page brings up.  I would love for our WWI site to have some comparable interactive features for users, but I think it would be wise for our navigation to be more intuitive.

The last site I visited was Mapping the Republic of Letters, because I have occupational ties to letters (I transcribe for the Papers of James Monroe), and this site is by far the most impressive of the three.  The color scheme is simple and appealing, and the home page gives a nice introduction to the site/project.  The site also includes other multimedia like videos and images.  The navigation links remain accessible at the top of the page and are appropriate to the contents of each.  (Unfortunately, the “Blog” and “Contact” links do not work.)  My only serious complaint about the site is that on the main “Case Studies” page, the images are all different sizes, so the page is a bit visually jarring.  Each individual case study has wonderful graphics and maps that help viewers to better understand the Republic of Letters.  I hope that our site will be visually appealing and intuitive like this one, with media that enhances our written information.  However, I am a stickler for consistency, so I hope our thumbnail images (or anything similar) will all be the same size.

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